28 for Presley. Murphy told The Boot the story of how he and Minor penned this light-hearted sing-along during the end of the 2010 summer at his farm outside Nashville. The producer in nominal charge of the session, Billy Strange, was attuned to current trends in popular music brought and brought in a group of musicians outside of Presley's usual stable and offered written arrangements that strayed from Presley's usual sou… Nothing, however, can buck that writing. Live A Little Lyrics: Chorus / You gotta live a little / Laugh a little / Cry a little / Love a little more / We gotta love a little more / V1 / Sometimes life feels like a surprise party / You feel Of course those other films have Sharon Tate and Jeannine Riley, effortlessly sizzling actress. 'Live A Little, Love A Little' would be Elvis’ twenty-eighth movie which at last featured somewhat more of an adult theme. "[9], The Monthly Film Bulletin, reviewing the film in 1978, wrote that it "commendably attempts to create a more eccentric, 'sophisticated' setting for Presley than hitherto," but that it "fails to achieve the kind of comic invention vital to a screwball romantic comedy," and that its songs were "unmemorable."[10]. We do not offer to watch Live a Little, Love a Little movie online. [7] All three tracks released on singles also appear on Command Performances: The Essential 60's Masters II. He was far more handsome in person with deep blue eyes and a Roman profile. This was to be Taurog's final film, as he went blind shortly after production ended. "Charro!," from the movie of the same name, is interesting as a failed attempt to place Elvis' voice in a pseudo-Ennio Morricone setting (actually, the authors and arrangers don't seem to know if they were trying to emulate Morricone or John Barry), while the accompanying "Let's Forget About the Stars" is a pleasant and intense ballad performance by Presley. However, Bernice also manages to find Greg another home. [citation needed]. The recording session for the four songs written for the film took place at Western Recorders in Hollywood on March 7, 1968. This CD packages the music from Presley's final four films of the '60s, a point at which audiences were staying away from his pictures in droves and the musical content was so attenuated that they didn't even merit individual soundtrack releases. The songs from "Live a Little, Love a Little" are an odd mixture and quite different from Elvis' previous soundtracks. Songs are dull, physical values are standard, and mediocrity prevails. [3] The producer in nominal charge of the session, Billy Strange, was attuned to current trends in popular music brought and brought in a group of musicians outside of Presley's usual stable and offered written arrangements that strayed from Presley's usual sound. I decided to give this movie a shot and it blew me away which made me write a review for it. We became very good friends. When I met him for the first time he immediately put me at ease. He was so far from his rock & roll roots by this time that a good deal of the music bears no relationship to rock at all, and certain tracks here, such as "Signs of the Zodiak," are exclusively the interest of obsessive completists. [1] It was directed by Norman Taurog, who had directed several previous Presley films. He held jam sessions on the set and would play cars with George Barris or play football with the 'boys' who traveled with him everywhere. The overall material is better than it's usually made out to be, and some of what's here is quite good; this isn't the place to start listening to Elvis Presley, or even an ideal seventh or eighth Elvis disc to buy, but it's a fascinating addendum to the 1968 comeback special and the Memphis sides that followed and several of the songs are enjoyable in their own right. Live a Little, Love a Little suffers because its best song is its most boring choreography, and its best choreography is to its most boring song. ', Variety called the film one of Presley's "dimmest vehicles," writing that Taurog's direction "tried to give some lilt to the proceedings. Live a Little, Love a Little is a 1968 American musical comedy film starring Elvis Presley. Singing stars from two very different generations appear in Live A Little, Love A Little. title details and video sharing options. [1], Presley was paid $850,000 plus 50% of the profits. At least "Live a Little, Love a Little" has some Elvis songs. Of course those other films have Sharon Tate and Jeannine Riley, effortlessly sizzling actress. This song was not a hit at the time, but it gained newfound popularity a few years ago in a remixed version. Find album reviews, stream songs, credits and award information for Live a Little, Love a Little/Charro!/The Trouble with Girls/Change of Habit - Elvis Presley on AllMusic - 1995 - When dealing with the music from Elvis' late-'60s… With Elvis Presley, Michele Carey, Don Porter, Rudy Vallee. "'Live a Little' is No. Even more unusual, it only has a few songs, including "A Little Less Conversation." We had to film our kissing first and neither of us heard the director say, 'Cut!' Directed by Norman Taurog. Childhood playmates Li Tao and Zhang Sheng get to know each other by fate and mutually support each other through tennis. [1], Released on October 23, 1968, the film failed to impress most critics. "Live a Little" is a song written by David Lee Murphy and Shane Minor and recorded by American country music singer Kenny Chesney. And the rock content here isn't to be overlooked either -- Elvis' one foray into quasi-psychedelia, "Edge of Reality" (from Live a Little, Love a Little), wasn't entirely successful, mostly because of an arrangement that makes it sound like the theme from The Mod Squad, but it is a fascinating oddity and does offer a bracing performance by the King; this disc also offers two different takes of the one true (albeit semi-precious) jewel out of that same film, "A Little Less Conversation," which was a good rocker in the context of any period of Elvis' career. "[8], Kevin Thomas of the Los Angeles Times called the film "a pleasant Elvis Presley picture that's rather more sophisticated than the durable singing star's 27 prior efforts. "Shane and I were just sitting around, and he said, 'Hey, I've got this idea for a song called 'Live a Little, Love a Lot.' Live a Little, Love a Little, the second of Presley's five final movies during the 1960s, included just a handful of musical numbers. With Elvis Presley, Michele Carey, Don Porter, Rudy Vallee. Several of Presley's Memphis Mafia friends, such as Red West and Joe Esposito, also appeared. He does depart significantly from rock music at times in these scores, most notably on "Almost" from The Trouble With Girls and "Almost in Love" from Live a Little, Love a Little; on the latter, Elvis comes as close to emulating Frank Sinatra stylistically as he ever got, and he pulls it off. 2:45: Let's Forget About The Stars: 2:19: The Trouble With Girls Clean Up Your Own Backyard Similarly, "Clean up Your Own Backyard," from The Trouble With Girls, shows the excitement that Elvis could still generate and appears in two different versions, one with dubbed-on horns and the singing of the Blossoms (featuring Darlene Love) and one featuring just Elvis and the core band, including some upfront bluesy guitar. We watched the funeral of Martin Luther King Jr. together over lunch in his trailer. While this movie contained, as almost every Elvis movie did, a love ballad(s) and a rocker(s), the songs are smarter and geared to a more adult audience. [1] Presley shares the screen with fellow legendary singing idol Rudy Vallee, whose career dated to the 1920s, but Vallee, in his late 60s, did not sing in the film. Live a Little, Love a Little Movie Review are added by registered customers. Live A Little, Love A Little Almost In Love: 3:02: A Little Less Conversation: 2:10: Wonderful World: 2:22: Edge Of Reality: 3:33: A Little Less Conversation (Album Version) 2:12: Charro! Chicago citation style: Norman Taurog, and Billy Strange. [4] It peaked at #69, while its B-side scraped into the Billboard Hot 100 at #95 independently. I had low and I mean low expectations because it looked like a usual high school music movie. Live a Little, Love a Little Wiki & Box office collections are updated regularly. He wants to repay her, so he procures two full-time photographer jobs: one for a Playboy-like magazine owned by Mike Lansdown (Don Porter), and the other for a very conservative advertising firm co-owned by Mr. Penlow. Live a Little, Love a Little was released by Warner Home Video on August 7, 2007 as a Region 1 widescreen DVD. It was released in March 2011 as the third single from Chesney's 2010 album Hemingway's Whiskey.The song reached number one on the US Billboard Hot Country Songs … The film is the 31st Disney animated feature film and was the fourth produced during the Disney Renaissance. It's sexy with a more adult theme than usual. It was directed by Norman Taurog, who had directed several previous Presley films. When dealing with the music from Elvis' late-'60s movies, it's easy to feel like a diver trying to get at some treasure hidden under a very deep stretch of ocean; in effect, you've got to go down very far, maybe almost deeper, and at the expense of more effort than the potential rewards would seem to justify, in order to find anything of value. [citation needed], "A Little Less Conversation" was released as a single with "Almost in Love" on the reverse side on September 3, 1968, RCA catalog nr. Elvis reported to MGM Studios on March 4, 1968, to begin pre-production. She later manages to make him lose his job and apartment after drugging him, which leaves him in a deep sleep for days. The recording session for the four songs written for the film took place at Western Recorders in Hollywood on March 7, 1968. "Wonderful World," which played over the opening credits to the film, appeared on the compilation Elvis Sings Flaming Star. First off, I saw the title of this movie "little love song" and thought to try it out. [5] Over three decades later, a remix of "A Little Less Conversation" became a global #1 hit record,[6] although the version sourced for the remix was actually a later re-recording made for the soundtrack of Presley's 1968 NBC comeback special, and not the movie version. 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